Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
New “Skyline” Viral Video Hits The Streets November 10, 2010With Skyline in theaters this Friday, and already a couple of viral videos under their belt, the special effect team who are bringing you the film, want you to have a better understanding of what they can do. And by they, I mean the special effects team. Not quite sure… Read More
Ron Perlman Tries To Sell You Kaiju Body Parts in “Pacific Rim” Viral Video July 2, 2013In Warner Bros.’ Pacific Rim, giant sea monsters called Kaiju wreack havoc around the Pacific coast. Jaegars are giant robots designed to stop them, and when they do, there’s a huge carcass just sitting there. So, Hannibal Chau (Ron Perlman) made a business out of harvesting Kaiju body parts and… Read More
Listen To The Entire “Guardians Of The Galaxy” Soundtrack Now July 2, 2014July 2, 2014Normally movie score titles would ruin critical plot points, and as such, many fans anticipating said film would avoid even looking at what the a soundtrack contains. However when a soundtrack is comprised of songs, it is a little bit different. Sure they may not be a spoilerly as a… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age