Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Trailers Weekly: Jonah Hex, Life As We Know It, The Last Exorcism, Morning Glory, and Shanghai May 30, 2010June 6, 2010Trailers Weekly is a feature in which we bring you the most popular and talked about trailers of the week. Sharing trailers is a classic viral practice, and trailers are still the most mainstream way for people to learn about movies. This week we have a second trailer for Jonah… Read More
Fused Film News – A Week in Review August 21, 2009August 31, 2009The Big Stuff Not a lot going on this week in terms of “big stuff” this week but still a few major things worth mentioning for our first article on MovieViral. First off please follow us on Twitter @fusedfilm for the latest daily updates on clever conversation on movie topics… Read More
David Lynch Needs You (And Your Money)! July 16, 2010July 16, 2010He may be a prolific producer, writer, and director, but David Lynch is not above asking strangers for money. He is hoping you can spare some change to help him fund his latest project. Lynch’s creative mind has brought such classics as Blue Velvet and Mulholland Drive to the silver… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age