Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
News EXCLUSIVE: Nathan Fillion In Talks For Star Wars Episode 7 April 1, 2014April 2, 2014 After some major sleuthing online and contact with an agent, MovieViral has an unofficial confirmation that Captain Mal himself may be in the process of signing on to the new Star Wars trilogy. Find out more info after the jump. Read More
New District 9 Concept Art October 21, 2009October 27, 2009UK magazines Total Film and ImageFx have today revealed some interesting never before seen concept art for District 9. With the film released in the cinema a couple of months ago and the DVD release due on December 29th, it’s good to see there is still a trickle of new… Read More
Can You Spot The Subliminal Advertising In This “Hawaii Five-0” Clip? January 20, 2012December 27, 2012In a new episode of CBS’s Hawaii Five-0 this past Monday, a particular clip seemed to have some kind of secret subliminal message regarding a sandwich shop. See if you can spot it in the video after the jump. Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age