Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Viral Video Round Up: The New Girl, The Dark Knight Rises, E.T., And More! October 14, 2012The Internet is full of videos related to movies, whether they be fan made, studio made, or somewhere in between. We regularly bring you the best, most interesting, or just plain weirdest, and today we do it again. Check out the latest viral videos after the break. Read More
Avengers Actor Tries On Real Iron Man Suit September 29, 2010Clark Gregg is probably best known by readers of the site as Agent Coulson in the new Marvel film universe that includes Iron Man and the upcoming The Avengers. Last week, Gregg got to visit the Raytheon Sarcos research lab in Salt Lake City, Utah for the debut of the… Read More
Aaron Paul Talks “Need For Speed”, His “Price Is Right” Appearance, Better Call Saul, And More March 10, 2014Aaron Paul is just one of those actors who started off with humble beginings. From small time commericals like Juicy Fruit to appearing in The Price Is Right, the actor has come a long way before winning two Emmys for his work on Breaking Bad. Now he is taking the… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age