Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
“Deadpool” Scribe Rhett Reese Launches Twitter Campaign To Get “Deadpool” Movie Made August 8, 2014August 8, 2014The moment that the Deadpool test footage leaked, it instantly went viral. Comic book fans passed it to their friends, their friends past it to their friends, so on and so forth. We haven’t seen much of the character since he appeared unmasked in X-Men: Origins: Wolverine, but we knew… Read More
Watch The Characters of Oliver Stones’ “Savages” Get Interrogated June 12, 2012June 12, 2012Savages will be the alternate movie for those who don’t want to see The Amazing Spider-Man on the July 4th weekend. So if you’re in the mood for drug trafficking movies, then you might want to catch this flick. So in order to drive up some interest for the film,… Read More
Watch A Message From the Dean of “Monsters University” February 15, 2013Disney Pixar’s marketing campaign for Monsters University, the prequel to the 2001 hit Monsters Inc., has centered on the idea of promoting the school where the film is set. MU is where monsters learn how to scare, and the in-world website for the college does a great job of making… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age