Roundtable With “Fright Night” Director Craig Gillespie and Suspected Vampire Colin Farrell Michael Lee, August 19, 2011March 18, 2012 Fright Night director Chris Gillespie has experienced the highs and the lows while sitting on the chair. While his Lars and the Real Girl was well received by critics, Mr. Woodcock wasn’t so lucky. Back by a strong cast, this contemporary re-imagining of the 80s cult classic may just pave the way for the director to have some great projects fall on his lap. This roundtable was fortunate enough to have Collin Farrell in the same room. He talks about his experience at Comic-Con. Of course you will have to hit the jump to hear the entire interview. Subscribe to the podcast on ]During Comic-Con I read on my Twitter feed that Farrell received Oscar props for his performance in In Bruges. So I immediately asked him what it was like to continue to receive such praise, especially in a geek centric convention such as comic-con. Farrell responded that he appreciates that the fans acknowledge his work.Farrell recognized that Jerry wasn’t human nor did he have any desire to be human. He basically stripped the character of any emotion and believed that he had a disdain for humans. He understood that there was a chance that he could be somewhat repetitive, but thankfully the script didn’t ask for him to completely take away all emotions.The actor truly believed that the practical does enhance the movie experience. While he does love the green screen and CGI technology, he believes that there is a sense of liberation when it comes down to practical things. He says when you see him bare his fangs there is a sense of that fear, and it is because of the fact that it is make up and not computer generated that the fear can be real and not presumed as fake.For Gillespie he judges the material by the script. But when he first heard that Fright Night was a vampire movie he was hesitant. Still he gave it a read and loved the script that was penned by Marti Noxon. He said that the script was able to strike a balance between the comedy and the horror so cleverly that he had to direct it. Gillespie said that the practicality of the vampire is what also drew him to the script.Gillespie was not familiar with the original Fright Night and did not view it until he got the script and completed the casting process. There were some things from the original that the director did add to the film, but no so much that it became a complete recreation.Farrell loves transitioning from his Horrible Bosses character to Jerry. He says that the two are more like a flick-of-the-switch kind of character where it was easy for him to go from one character to the other. But after five years of heavy drama films, the actor was more than happy to do something where he can make people laugh instead of cry.At first Gillespie was reluctant to use 3D, but then it dawned on him, what would it be like for two people to stand inside a kitchen with 3D effects and tension drenched on the audience. He said that given that Avatar and Alice in Wonderland did so well capturing these moments with 3D, he wanted to use the technology. Gillespie wanted to have the audience immersed in that world. Interviews Podcasts Colin FarrellCraig GillespieFright Nightinterview
Chris Sarandon Talks About The New “Fright Night”, His Fans, and the Progression of Vampires August 18, 2011August 19, 2011Chris Sarandon played the vampire villian in the 1985 Fright Night. The likeness of his character has been replaced with that of Collin Ferrell for the remake that opens this Friday. But you will not see the same campy attitude that was present in the 1980s version, and that is… Read More
WonderCon 2012: “The Amazing Spider-Man” Roundtable Interview With Emma Stone and Marc Webb March 18, 2012March 18, 2012Before their panel at WonderCon on Saturday, I and other reporters got to sit down with director Marc Webb and Gwen Stacy herself, Emma Stone, from The Amazing Spider-Man. During the roundtable interview, the two talk about working on a film that has so much anticipation, how much dialogue was… Read More
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