Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Viral Video Round Up: The Room, Sucker Punch, Anne Hathaway, And More! February 3, 2013The Internet is full of videos related to movies, whether they be fan made, studio made, or somewhere in between. We regularly bring you the best, most interesting, or just plain weirdest, and today we do it again. Check out the latest viral videos after the break. Read More
Michael J. Fox Re-Shoots Back to the Future Teaser October 13, 2010This year marks the 25th anniversary of Back to the Future, a new classic that still lives on to this day. We’ve seen a few things to honor the occasion (including a Blu-Ray release of the Trilogy). Now the cast looks to be having a reunion at the Spike 2010… Read More
Details Revealed About Joss Whedon’s “Much Ado About Nothing” October 25, 2011Briefly: The Internet went wild Sunday night and Monday morning after hearing about Joss Whedon’s secret project Much Ado About Nothing, which had already finished shooting. Entertainment Weekly got more details on the project from interviews with Whedon and stars Sean Maher and Amy Acker. It turns out the film… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age