Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Winter Is Coming, So Download The “Game Of Thrones”-Themed “Cards Against Humanity” Now May 30, 2014May 30, 2014Cards Against Humanity is just one of those games you feel dirty playing but can’t help but laugh while playing with a group of friends. The combination of cards that can be played in Cards Against Humanity is endless. Using answers like sharp witty and very dark humorous answers to… Read More
LOST DVD To Include 12-14 Minute Epilogue May 27, 2010In an interview Michael Emerson, who played Ben on LOST, gave on G4’s Attack of the Show, the actor admits that a 12-14 minute scene was shot for the Complete Collection DVD that goes into the what happens on the Island after Hurley takes over as protector. Watch the interview… Read More
Fringe’s “A Demon’s Twist Rusts”: An Anagram, A Countdown and Sam Weiss April 10, 2011Since we last reported on the Fringe 6:02 AM countdown, there have been some developments. Two more videos have appeared online and another is a mysterious anagram. What is the solution to the anagram? What is revealed in the new videos? What is going to happen at 6:02 AM? Hit… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age