Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
The Buzz: Superhero Trailers Attached to Avengers, Django Unchained Photos, and CinemaCon April 27, 2012The Buzz is a feature in which we round up the Top 3 most-buzzed-about movie/TV stories of the week (in chronological order). Why go through pages of blogs just to find out what everyone is talking about? We’ve got it all right here. Read More
“Community” Lives On To See Season 6 June 30, 2014Community is just that one sitcom that refuses to get cancelled. After four seasons of continual low ratings, a strange schedule, cast member disputes and departures, Community nearly met its end after NBC cancelled it after five long hilarious but also tumultuous seasons. But fear not, as Abed would appropriately… Read More
Help Support “Shaun of the Dead” LEGO Concept March 31, 2012March 31, 2012LEGO Cuusoo is a website like Kickstarter where you can propose ideas for LEGO playlets. If a project gets 10,000 supporters, then LEGO will make it a reality. There are several movie-related projects on the site, but one has gained a lot of steam lately. Learn about the Shaun of… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age