Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
“Star Trek Into Darkness” Viral Site Discovered In Teaser Trailer December 17, 2012December 17, 2012Last week, we got our first look at Star Trek Into Darkness, J.J. Abrams’ follow up to his 2009 hit, Star Trek. If you saw The Hobbit over the weekend in IMAX 3D, you got to see the first 9 minutes of the film. Today the teaser trailer that was… Read More
“Big Hero 6” Trailer: Disney’s Marvel Movie Takes Flight July 15, 2014July 15, 2014Sure the marketing for Disney’s Big Hero 6 may have been slow going, but it has quickly amped up thanks in part to marketing tie-ins with the World Cup. The film centers on a young technological prodigy who upgrades his squishy caretaking robot into a superheroic fighting machine. That was… Read More
“Apollo 18” Release Pushed Back January 6, 2011January 9, 2011Briefly: Shock Till You Drop is reporting that the Weinstein Company’s Apollo 18 has been pushed back from its original March 4th release to April 22nd. This isn’t too surprising, as this film has come together pretty quickly, and it has supposedly yet to even begin shooting. Hopefully it doesn’t… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age