Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Rocket Poppeteers Gives A Pop Quiz! September 27, 2010Now that Super 8 is going into full swing with its casting and location filming, it’s only appropriate for the viral to update as well. For those of you who signed up at the Rocket Poppeteer site, you were more than likely miffed about the lack of response. Well, because… Read More
Ken and Barbie To Get Their Own “Toy Story” Short Film December 20, 2010December 20, 2010Right around the time that Toy Story 3 came out in theaters this summer, we found out that the end of the trilogy will not be the end of the characters we’ve all grown to love (or met for the first time and had love at first sight). Characters from… Read More
Viral Video Round-Up: Wonder Woman, Government Shutdown, Breaking Bad, “50 Shades of Grey”, And More! October 6, 2013October 6, 2013The Internet is full of videos related to movies and television, whether they be fan made, studio made, or somewhere in between. We regularly bring you the best, most interesting, or just plain weirdest. In this week’s edition: See what Walt sent to Louis in this Breaking Bad alternate ending;… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age