Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
“Game Of Thrones” Interactive Map Puts All Other Interactive Maps To Shame April 24, 2014Part of what fascinates us with Hunger Games, The Hobbit, and other fictionalized nations, is the idea that they are so massive in size that they are not only uncharted, but they could possibly open the doors to new adventures. Now with the power of the internet at our hands,… Read More
Ridley Scott to Produce 12 Sci-Fi Short Films For Online Audiences March 13, 2013March 13, 2013Ridley Scott is a busy man. In addition to working on his sequel to Prometheus, finishing up The Counselor, and producing a slew of other film and television projects, he is getting involved in short films. Scott’s commercial production company, RSA, is partnering with video entertainment network Machinima to produce… Read More
Joss Whedon To Do Comic-Con Documentary February 20, 2010June 6, 2010Ever wonder what a Comic-Con fanatic does to prep for the big day every year? Well, now you’ll get to thanks to a documentary being made by Joss Whedon and award winning director Morgan Spurlock. Find out more after the jump. Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age