Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
Conan O’Brien’s “Show Zero” Airs Live Online November 1, 2010Conan O’Brien and the Team Coco staff have been doing a lot of great Internet marketing for the new talk show Conan on TBS. Tonight, we were promised a live test show before the premiere next Monday. Unfortunately, it was sort of a trick, as we got a mini-episode that… Read More
Batman 3 Character Rumors: Riddler Again February 14, 2010February 15, 2010Normally any anonymous rumor (especially for big movies) is immediately disregarded and thrown to the rumor mill trash bin, but recent news can support the rumors this time for the potential sequel to The Dark Knight. Brent Sprecher, an editor from comicbookmovie.com, has several little tip-offs from a “Plot Outliner” at… Read More
Viral Video Round Up: The Big Bang Theory, Clint Eastwood, Twilight, And More! November 18, 2012The Internet is full of videos related to movies, whether they be fan made, studio made, or somewhere in between. We regularly bring you the best, most interesting, or just plain weirdest, and today we do it again. Check out the latest viral videos after the break. Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age