Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
YouTube Tuesday: Cyriak October 23, 2012October 23, 2012We at MovieViral know our viral videos pretty well, so we decided to share our knowledge to those looking to expand their Internet horizons. YouTube Tuesday is a weekly feature where we shine the spotlight on our favorite YouTube channels related to movies and television. We focus on channels that… Read More
Brace Yourself, The Year-End Film Mash-Up Videos Are Coming December 5, 2011December 5, 2011Around this time every year, at least since uploading videos to the Internet became common, we start to see many mash-up videos that are a compilation of the movies that came out that year. This year looks to be no exception as we have our first video, titled “The 2011… Read More
Help Support “Shaun of the Dead” LEGO Concept March 31, 2012March 31, 2012LEGO Cuusoo is a website like Kickstarter where you can propose ideas for LEGO playlets. If a project gets 10,000 supporters, then LEGO will make it a reality. There are several movie-related projects on the site, but one has gained a lot of steam lately. Learn about the Shaun of… Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age