Watch Two Alternate Openings For “The Social Network” Dan Koelsch, January 16, 2011January 16, 2011 David at /Film has found two alternative opening credits scenes for David Fincher’s The Social Network that were considered, with the difference being mostly the music. While the final version included Trent Reznor’s track, screenwriter Aaron Sorkin originally wanted Paul Young’s cover of “Love for the Common People”, while Fincher wanted Elvis Costello’s “Beyond Belief” long enough to edit the scene with it. Watch a fan’s creation using Young’s song, then an official cut using “Beyond Belief” after the break. The scene starts at about 4:30: Obviously these would have created different tones to start off the movie, and I think Reznor’s track is better suited for the story they were telling. What do you think? Fan Made Work News Viral News Viral Videos The Social NetworkViral video
SNL Takes On The Sopranos, Catfish, and More! January 27, 2013Maroon 5 lead singer and The Voice judge Adam Levine hosted Saturday Night Live this weekend, and with him came the return of The Lonely Island. After the break, check out some of the clips from the show including the Sopranos version of The Carrie Diaries, and a parody of… Read More
Win A Suite At The Plaza Hotel and Live Like “The Great Gatsby”! April 17, 2013April 17, 2013In The Great Gatsby, several of the main characters take a day trip into New York City and check into a suite at the Plaza Hotel. You too can spend a day in NYC with your own suite at the Plaza by entering their Instagram contest! One winner and a… Read More
Tron Legacy Image #3 March 3, 2010Total Film has yet another new photo from Tron Legacy in what is a week long series of daily images. Today’s third of four images continues the scene set by the earlier pictures. Sam Flynn enters the old Flynn’s Arcade and walks by covered arcade machines towards a “Tron” sign…. Read More
This film tells a unique story about a cultural phenomenon and everything — the look, feel and sound of it — is worth seeing. Fincher, Sorkin and Co. have made one of the great movies of — and about — the modern age